“Those who cannot remember the past, are condemned to repeat it.”
Let me ask a silly but timely question: Pretend you were a race car driver in NASCAR. You were in the middle of a race, flying around the track at 190 MPH, and a message popped up on your dashboard...
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Live Keying with the Sony AWS-750 Anycast Touch
When the new Sony Anycast Touch live switcher showed up here at Rule, no one really knew what to make of it. The knee-jerk reaction to the dual touch screen, Star Trek looking switcher, was a wave of...
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The Ever-Evolving F55 and F5
The F55 and F5 are really something. Just when you think you know them, there’s another update! For over a year now, the F55 and F5 have been steadily making their way on a pre-planned firmware path...
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Production LEDs in a New Light with Zylight’s F8
UPDATE ON 5/12/14: Since my original post below, I’ve learned that the F8’s bellows are actually made from silicone which should last significantly longer than rubber and that a redesigned yoke was...
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The Panasonic GH4: An Analysis (Part 1 of 2)
DSLR enthusiasts and 4K adopters alike have all been talking nonstop about the new Panasonic GH4; the tiny camera that can do 4K internally, high speeds up to 96fps, and some very high bit rates....
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The Kessler CineDrive: A Robot with A Mind of Its Own?
Actually it’s a little more complicated than that. The CineDrive is a multi-axis motion control system that lets you pan, tilt, slide, zoom and even focus your camera. This piece of gear brings a whole...
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The Concept of Ease in Filmmaking
In the place I am now, having recently graduated, looking/hoping/begging for work, and getting this internship and blog to learn from and play with, I feel privileged and prepared to go ahead and share...
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Up Close with Canon’s New Line of Cine Primes & Zooms
In July, Nick Giannino from our sales dept and myself were kindly invited down to Canon HQ in Long Island for an educational seminar. The aim was to talk about Canon’s new line of Cine primes and...
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The Panasonic GH4: An Analysis (Part 2 of 2)
In my last post, I talked all about the versatility of the GH4, and how it can bring some pro features to a semi-pro audience — as well as some pro features to some budget-conscious professionals! In...
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The Sony a7s: Full Frame, Low Light Monster
Once again, here we are with me talking about a new small camera that everyone in the indie shooting world seems to be going bananas over! Similarly to when the GH4 launched (of which you can read my...
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Kino Flo Celeb 200 & Celeb 400 LEDs
Kino Flo introduced its first LED light, the Celeb 200, in September 2012, followed by the Celeb 400 in April 2014. Rule Boston Camera proudly welcomes these two new lights to our inventory! We love...
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An Introduction to the Sony PXW-FS7
As with all my blog posts, I’m happy to introduce you to yet another camera that’s being called “The Next Big Thing!” I’ve talked at length about the Panasonic GH4, the Sony a7s, and other it cameras...
View ArticleFun New Features Come with the Latest Panasonic GH4 v2.2 Update
Though I’ve already written about how head-over-heels I am for Panasonic’s overly affordable GH4, I thought I’d take some time to check in with the little wonder, and discuss some of the fun new...
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Versatility is the Name of the Game with the Joker Line of Lighting
I am excited to be writing my first HighOutput@Rule “Bright Ideas” blog post about some of my favorite lighting tools. The K5600 Joker line offers a large amount of versatility in a little package....
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Sound Advice Tour Recap
The Sound Advice Tour ended its tour in Boston MA and I was lucky enough to go and check it out. Being an audio guy I was really curious how he was going to explain and teach us things about audio for...
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Lighting Planes, Trains, and Automobiles? I Have Just the Light For You!
This is literally the most flexible light in the world of entertainment lighting! The Bi-Color Flexlite, released in April of this year by Aladdin USA, is a light everyone should be using on every...
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